Sunday, January 14, 2007

Cancer victim's hat 'banned'

The Sun Online - News: Cancer victim's hat 'banned':

"A BREAST cancer sufferer whose hair has dropped out was told to take her hat off in a trendy bar — because it breached the dress code.

Pam Nielson, 50, removed her brown corduroy cap so she would not spoil the night for pals.

But she fled after one drink, following stares and cruel comments from other customers.

The tearful mum-of-two, who has chemotherapy and radiotherapy, said: “I felt humiliated and as though all the young people were staring. It was so upsetting.”

Bar 11 in Frome, Somerset, has a “no headwear” rule to deter scruffy youths in caps and hoodies.

Owner Anthony Pang apologised to Pam and said new rules were in place to prevent anything similar happening."


Hats off to the beret

Hats off to the beret - France - Europe - World - Travel - smh.com.au:

"THE BERET might just be the world's most useful hat. Far from a mere circle of felt clinging precariously to the head, it can be arranged to protect its wearer from sun, rain and cold. It also makes a handy dish.

Most importantly, when rolled up like a newspaper it becomes a formidable weapon (naughty French children are threatened not with the wooden spoon, but a caning from the chapeau).

The Musee du Beret is France's homage to this helpful headwear. Housed in the village of Nay in the Pyrenean region of Bearn, it provides a lovable and amusing history of the hat. Even before I enter the museum, I see two men clad in black berets, sitting in the village square sharing a joke. In between laughs they carefully adjust their hats.

Inside the museum, any doubts about the practicality of the beret are dispelled once visitors are shown the introductory film recounting its many functions. One cheerful farmer says: 'When you are young, your beret is perfect for collecting cherries. When you become old, it is perfect for belting those who steal your cherries!'

Legend has it that the very first beret was made from the wool of the lamb Noah housed in his ark. Around AD1280 a figure wearing a beret was carved into the church of Bellocq in Bearn, providing the first official recording of the hat. By the second half of the 19th century, large-scale beret factories operated in a handful of towns in Bearn, including in the building that now houses the museum. It is still in this region, and in the neighbouring French Basque country, that the beret is most commonly seen, proudly flaunted in paddocks and on footpaths alike.

It is ironic that a symbol so profoundly linked to French patriotism in the eyes of the world is actually used by the Basques and Bearnaise to assert their cultural individuality. Most Basques see themselves as culturally independent from France and Spain.

The Bearnaise, too, consider their culture unique, being a traditionally Protestant minority with a language related to Occitan, not French.

I pose this to the museum's curator, a tall Bearnaise woman with a black beret slung over her left ear.

She frowns on hearing my question, nodding. 'During World War II the beret was a symbol of the French Resistance, and I think for many foreigners this image has stuck. Sure, you do see berets on the streets of Paris and Bordeaux, but for the people of Bearn and the Basque country, it is different. It is a reminder of who we are.'"


Various materials enhance diversity

Men's & women's winter headwear: Various materials enhance diversity:

"Winter headwear makers in mainland China and Taiwan are focusing on improving the warmth-retention features of products by using different types of fabric.

Among the popular materials are twill, corduroy, polyester and cotton-nylon blended fabric. These are being used on beret, bonnet, newsboy and bucket styles.

Wool is the choice material for high-end models. Aside from its excellent warmth-retention properties, the material also repels stains and has a soft feel.

For midrange and low-end models, acrylic is most often used. It has almost the same softness as wool but is less expensive and lightweight.

Makers are also developing models using bamboo-charcoal fiber. This environment-friendly material resists build-up of bacteria and odor, making it ideal for hats and caps.

Suppliers, however, are not putting comfort over fashion. Products come in a wide array of bright colors. Models also feature striped and checkered patterns and printed designs.

To increase variety, products are trimmed with faux fur and synthetic leather while other models feature knitted flowers, plastic beads and button and metal studs."


Past Hats

Star-Telegram | 01/13/2007 | PAST HATS:

"Nat Fleming's Cow Lot, a Western-wear store in Wichita Falls, wasn't exactly the kind of place where you'd hang your hat.

At The Cow Lot, you nailed it to the rafters.

And now, after 54 years in business, Fleming has closed his store and he's got more than 500 hats to pry off his walls and move to a downtown museum. "Nat's Hats," as they are now called, are destined for the Museum of North Texas.

They were wanted at other places; according to the Wichita Falls Times Record News, institutions from Oklahoma City to Lubbock "were hungry for his collection."

Nat and his wife, Tawana, decided to leave the collection at home in Wichita Falls.

"Oh, it's a wonderful story," said Bobbi Braun, with the Museum of North Texas. "We found out his store was closing when a story came out in the Wichita Falls paper, and I wrote to him immediately. We wanted those hats."

The Cow Lot was certainly an institution in the North Texas city. People could buy Western wear at other places, Braun said, but for those who were really particular about what they wore, only The Cow Lot would do.

It was as though Fleming's store motto was gospel. At the end of his local television ads, Fleming would always add, "You can tell by looking if it came from The Cow Lot."

But the tiny, crowded store on the city's south side was no more an institution that Fleming himself. His slow country drawl was well-known in the area. Fleming was also a local country-Western band leader who hosted his own afternoon variety program, The Nat Fleming Show, on local television from 1953 through the early 1960s. His program ended, but his TV commercials remained a mainstay of local color and lore.

Now The Cow Lot is closed. The doors were locked just before Christmas, and the hats still hang there in a lonely display.

The museum is working hard to get an exhibit area ready, but it is going to take a lot of money and there isn't much time. "We've been promised the hats and we're going to make space for them," Braun said, "but we've got other things going on at the same time. Our next exhibit is a quilt display and we're getting ready for that."

In the meantime, the museum has launched a campaign to raise $40,000 to build a large "Western Room," one entire wall of which will be devoted to the hats. "In the beginning, we just sent out letters to our members," she said of the museum's fundraising efforts. "Once we get the quilt display up and going, we'll start contacting some people with deeper pockets."

The hats, she says, are more than just a decorative display. Braun has counted 511 of them in all, and many are from prominent ranchers and businesspeople from North Texas. There are felt hats from ranch bosses, crushed straws from ranch hands. They represent a quirky Who's Who of Wichita Falls; they represent an important timeline in the area's development.

"It all started when Nat first opened his store 54 years ago," Braun said. "His brother sent him a big 10-gallon hat -- one of those great big ones with a big brim and tall crown -- to celebrate the opening. It was a joke, but it caught on. As time passed by, when someone bought a new hat, they nailed their old one to the rafters."

The hats will be a centerpiece of the new Western Room at the museum, but there will be other items as well. "We already have a Joe Bidwell saddle," Braun said. Bidwell is a well-known ranch family name in Wichita Falls. "We have a chuck box, and we've been promised a huge barbed-wire collection. We also have the 'Waggoner Horse Hoof.'"

The hoof is another part of Wichita Falls lore dating to the 1880s. Braun said the story is that a couple of bank robbers stole a horse from the Waggoner Ranch in Vernon on the way to rob a bank in Wichita Falls. When they came out of the bank, the sheriff saw them and opened fire. He missed the bank robbers but hit the horse. A Waggoner Ranch foreman kept one of the horse's hooves as a souvenir. The hoof will share space with the hats."


Friday, January 05, 2007

It’s milliner time

It’s milliner time:

"GLADSTONE — With keen interest, I’ve been following news reports on global warming. Experts say that average temperatures could rise as much as two full degrees by the time I reach my 90s.

Frankly, I can hardly wait.

As someone with a deep need to be toasty, I yank on layers of outerwear these days just to carry out the trash. That, I can live with. Hats are quite a different matter.

My big beef is that they cause “helmet head,” a condition wherein your “do” is destroyed till the next shampoo. According to superstition, placing your hat on a bed leads to bad luck. Well, better that than bad hair.

Hats also cause serious vision impairment. By flattening my bangs, they force them halfway down my peepers. It’s like peering through carpet fringe unless I sweep them to the sides like a pair of drapes.

So I’m glad hats have declined in popularity. But they were all the rage in 1900, when ladies wore a variety of bonnets for different activities. They changed them at the drop of — well, you know.

At one time, feathered hats enjoyed the same status that Rolex watches do today. Imagine the fun hatmakers had coming up with ludicrous styles. Believe it or not, some even perched real, stuffed birds up there on occasion. The result, no doubt, of too much Milliner Time. (“Hey, let’s try a woodpecker next!”)

Today’s hats are more politically correct, and most women look attractive in them. Chic, even. Their bonnets make a fashion statement. If mine could talk, they’d say, “Good grief.”

No matter how classy they look on a hook, the image they lend me could best be described as Minnie Pearl.

That is, if they even fit. For a short person, I possess an enormous noggin. If I were a cowboy, I’d need a TWENTY-gallon hat. With an extra quart for good measure.

Like magicians, I could pull a rabbit from my hat. A Volkswagen.

Besides, I’m just not a “hat” person. Even as a child, I hated wearing something on my head. Especially that dunce cap.

Luckily, none of my numerous jobs required headgear. And though I’ve been assaulted by falling Tupperware more than once, I refuse to wear a hardhat in the kitchen.

So if I make it to my 90s, I plan to celebrate the bennies of global warming.

I’ll be the one with helmet head."


Fashion focus of speaker to Women's Network

Fashion focus of speaker to Women's Network:

"Classic fashion kicks off the New Year for Brockville Women's Network at its next meeting, at 6:30 p.m. on Thursday, January 11 at the Brockville Country Club.

Guest speaker Leona Deter, of Determine Design in Merrickville, specializes in custom-made hats and evening apparel. She'll open her program by demonstrating the proper way to wear hats. Then she will present an in-house fashion show featuring her most beautiful and elaborate hats and clothing designs.

The Brockville Women's Network was started in 1981 to encourage both personal and career growth of its members. You need not be a businesswoman to join: all women are welcome. The BWN encourages and promotes networking among a diverse group of women from a wide range of backgrounds. New members are always welcome.

Monthly meetings are held on the second Thursday of every month at the Brockville Country Club, located on County Road 2, west of the city. A social hour begins at 5:30 p.m., followed by dinner at 6:30 p.m. and then the speaker or other entertainment. The cost is $22 for members, $25 for guests.

For reservations and more information, call JoAnne Sytsma at 613-345-5202 or Angela MacGillivary at 613-345-4881 by January 9."


In thinning industry, hat company fights on

Belleville News-Democrat | 01/05/2007 | In thinning industry, hat company fights on:

"PHILADELPHIA - The Bollman Hat Co. factory in Lancaster County, Pa., rumbles and shudders, churning and pounding wool into dense felt for headgear as if naked noggins all over the nation were in dire need of a covering, a fedora, a fez or a ten-gallon hat.

Of course, they are not.

Hats left high office with Eisenhower. And that -- along with cheap imports -- is part of the reason Bollman is one of just a handful of hat makers surviving out of the hundreds that once operated in the United States.

"When JFK was president, he didn't wear a hat, and that had an influence on men," said Bob DePasqua, a Bollman department head and 30-year employee at the factory.

Still, men's hats and millinery thrive as accessories, costumes, personal statements, safety wear, sunshades, rain deflectors, fish-hook storage racks and bald-spot concealment devices. And Bollman's 500 workers press and stamp to make available about 1.5 million lids per year.

Don Rongione, president and chief executive of the employee-owned company, declined to discuss revenue in detail, but said the company's best year was 2003, when sales reached about $100 million on the popularity of hats in hip-hop fashion. "We're down from there a bit," Rongione said.

Hat fortunes do come and go with fashion's whims. "Indiana Jones really helped our business for a long time," DePasqua said of the hard-boiled Harrison Ford movie character who treasured a battered outsized fedora through the 1980s.

Bollman has been making hats in Adamstown Borough (population 1,200) since 1868. The brick factory is a maze of machinery designed over the last century to turn tufts of bleached Texas wool into hats.

In the process, the wool is transformed, first into fluffy felt cones on "carding" machines that date from the 1930s.

The uniform woolen cones, stiffened with shellac, gradually take color and shape in a series of dye boilers, rolling, hardening and sanding machines, molds, presses and dryers -- ending up as floppy hats, high hats for doormen and bridegrooms, cowboy hats or virtually any conceivable headwear.

"You see those fibers, and you end up with a finished hat. It's fun," DePasqua said.

The U.S. Olympic team sported Bollman hats in the opening ceremonies at Nagano, Japan, in 1998. And the company makes about 12,000 scarlet fezzes each year for the Shriners fraternal order. "That's a neat little niche business we've done," DePasqua said.

The company battles to stay competitive in an environment where imports can sell "for less than half of what it costs us to produce" a hat domestically, said Rongione, the CEO. "It's a real challenge for domestic manufacturers."

On the East Coast, Bollman is one of the few remaining hat manufacturers -- a club that also includes F & M Hat Co. Inc. in Denver, Pa., and Kraft Hat Manufacturers Inc. of New York.

Bollman makes hats under brands -- some acquired in recent years -- that include Kangol, Bailey, Timberland, and Country Gentleman, as well as private labels, and its toppers are sold in stores that include Wal-Mart, as well as boutiques in New York and Europe, where hats can sell for hundreds of dollars.

In the early 1990s, Bollman made 98 percent of its hats in the U.S., Rongione said. But that figure has fallen to 35 percent, with the rest -- including knitted hats and unfinished straw-hat bodies -- manufactured in Asia, Mexico and Italy, Rongione said.

Even so, he said, by shifting workers to customer service, distribution, and other in-house jobs, domestic employment has remained steady at around 500.

Bollman has been employee-owned since 1985, when managers bought the company from the founding Bollman family. In addition to the 500,000-square-foot Adamstown factory, the company operates a 132,000-square-foot distribution center about three miles away, near a Pennsylvania Turnpike exit. It also has three showrooms in New York, and one in Fort Worth, Texas.
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Monday, January 01, 2007

Langer caps career with passion

Langer caps career with passion | | The Australian:

"BEFORE Justin Langer made it official that the Sydney Test would be his last he had something else to do.

He sat down at the table in a room beneath the Bradman Stand at the SCG and carefully folded his baggy green cap so that the Australian crest was facing towards the cameras.

Then he faced them himself.

It would be fair to say that no Australian player has ever worn that quaint and rather outmoded bit of woollen headgear with more pride than Justin Langer.

Of the modern players, Steve Waugh would probably come closest. He wore his on the battlefields of Gallipoli and while watching Pat Rafter play at Wimbledon.

You get the feeling Langer keeps his on while he brushes his teeth and only takes it off when it comes time to kiss his wife and four daughters goodnight.

Certainly it has been through some scrapes with its owner over the course of 14 years and 104 Tests.

Like Waugh's, it comes to the end of its working life looking less like an article of clothing than a battlefield artefact, held together by dirt, tears and sweat.

Langer loves his baggy green like Linus loves his comfort rag in the Peanuts strip, and there was no way he was going to risk separation anxiety while he made the biggest announcement of his sporting career.

The cap also provided him with a convenient shield to hide the scraps of paper torn from an exercise book on which he had jotted down some of his thoughts, just so he wouldn't forget anyone.

Langer said he had been very emotional earlier in the day when he sat in the dressing room talking things over with his captain Ricky Ponting, vice captain Adam Gilchrist and his great friend and opening partner Matthew Hayden.

"There's no doubt the thing I'll miss most about cricket is what I'll experience hopefully tomorrow morning ... walking over the white line with some music and being lifted out to the centre from the crowd and walking out with my big mate Haydos," he said.

"We've formed a great partnership and, like Ricky and Tugga (Waugh), he's going to be a friend for life and it's going to be hard in five days' time not walking out with him in a Test match"
Unlike Shane Warne and Glenn McGrath, who are also retiring after this match and who knew unequivocally that their time was up, Langer, 36, has found it a difficult decision to make.

"The reason it's been so hard is because I don't want to let it go, mate," he said.

"If you love something you don't want to let it go, do you? I don't want to not play for Australia again.

"I feel sad about it, but my heart's telling me it's the right thing to do."

Langer scoffed at people who believe cricket is just a game.

"Just a game? You know what, it's not just a game to me. It's been the vehicle for me and taught me how to handle success, how to handle criticism, how to handle failure, how to fight back from adversity.

"I've learned about mateship, I've learned about leadership. I've learnt so many things. I've hopefully forged a strong character and it's all because of the baggy green cap."

The travelling English journalists, inured to the cliches trotted out by their own players during this so far unhappy summer, were impressed by the sincerity and obvious depth of Langer's feelings, and found themselves applauding him after his statement.

"I'd like to hear an England player talk with such passion about what it means to play for their country, and the history of the game, and the men who have gone before them," veteran Daily Express writer Colin Bateman said.

"Perhaps that is part of the difference between the two sides."
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